Trump administrators begin deleting exhibitions at the Museum of Black History – including the iconic 1960 Woolworth’s sit-in counter – Celebs Web

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The Trump administration has begun returning historic artifacts to its owners and quietly deleted the Museum of African American History and Culture (NMAAHC) in Washington, DC Journalist April Ryan reported that one of the earliest major relocations included the original Woolworth restaurant in Greensboro, North Carolina, Site-Sit-In-Sit-in-Sit-in Site the Woolworth in 1960. The critical moment of the civil rights movement. The exhibitions at and around the counter highlight the heroism of four black college students from A&T, North Carolina, who peacefully protested against segregation by sitting on the counter of white people. Their actions ignited similar protests throughout the South and became a turning point in the fight for racial equality. According to the Trump administration, the decision is a decision to reshape how American history is proposed. Attorney Lindsey Halligan, reportedly a Trump ally, is leading the charge. Her mission is to identify and eliminate what is called “ideological misconduct” in the Smithsonian agency, according to a report from the Washington Post. Halligan believes the current exhibition is too stressed by the country’s dark history, which she says may be further divided. Museum officials recently informed civil rights leader Dr. Amos Brown that the museum lent to the museum’s quarantine exhibition, a rare copy of his personal Bible and a history of the Black American Competition (1618-1880) was returned. The artifacts have been on display since the museum opened in 2016. Brown, a close assistant to historical figures such as Medgar Evers and John Lewis, said the decision to return the items was frustrating. He stressed the personal and historical significance of these objects, which reflected the life of activism. Halligan, who was said to have grown up in Colorado and studied politics and journalism at Regis University, filed an executive order after visiting several Smithsonian Museums. With Trump's approval, she now appears to be working to modify or delete what she believes is an ideological exhibition. NMAAHC (commonly known as “Blacksonian”) is an important space for the unfiltered history of Black America. Now, its statements on its deletion of the core exhibition mark a potential shift in national memory and public education under Trump’s second term. As historians and activists working on more relocations, questions about how far this cultural reset will go, and what will remain in the nation’s most comprehensive museums for consistent African-American history.

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